Partnership for Floyd Celebrates 20 Years of Town Improvements

Partnership for Floyd Dodd Creek trail volunteers

The Park Committee Volunteers who worked hard from 2008 to 2014 to design, organize and build the beautiful place we have today. Left to right, back row: Mike Maslaney, Mac Traynham, Woody Crenshaw, Ralph Roe, Randall Wells. Front row: Jack Wall, Jane Cundiff, Betty Lineberry, Anne Pendrak, Karin Grosshans, Dede McGrath, Marjorie Wells, Ellie Roe.

In the spring of 2024, the Partnership for Floyd (PFF) will be celebrating 20 years of civic work in Floyd, and preparations are underway!  The first step in these preparations will be to increase recognition of the organization.  Most recognized for its development of Warren G. Lineberry Park, as well as the Park-to-Library and Dodd Creek Trails, the non-profit citizen group has also hosted Earth Day and Health Fair events, held fundraisers for its projects, and was influential in the revitalization of downtown Floyd through providing support for government grants and volunteer labor.

The Partnership was founded in January of 2004 as a spin-off from the Old Jacksonville Cemetery committee.  That committee was formed after the Hotel Floyd property purchase by Jack Wall and Kamala Bauers to assure that the cemetery grounds adjacent to the hotel would be protected during hotel construction.  It brought together citizens and business owners, as well as town and county officials, with a vision to preserve and enhance what makes Floyd special.  Their goals were also to promote tourism, community development, and town improvements.

The late Sam Moore, who was the founding PFF Vice President, as well as a former employee of the Virginia Department of Transportation (VDOT), first brought up the idea of applying for a TEA-21 transportation enhancement grant through VDOT.  This grant was approved and used to build sidewalks, including a pathway from the hotel to downtown Locust Street.  These new walkways served to link up hotel patrons with downtown activities and businesses, including Floyd’s famous Friday Night Jamboree at The Floyd Country Store.

“We were novices and really busy in the beginning,” said Bauers, a founding member of the PFF who initially served as the Partnership’s Project Manager.  As Project Manager, Bauers began looking at other communities that were successful in getting redevelopment grants, and she talked to their town managers.  She learned that governments need non-profit community partners to qualify for grants.  The group applied for and were accepted as a Virginia Main Street Affiliate through Richmond’s Department of Housing and Community Development, after which the members began attending Main Street training events and workshops.

At the time the Partnership was forming, Lydeana Hylton Martin was working for the New River Valley Regional Commission; a commission that identifies needs and seeks funding to meet those needs.  As a Floyd native, Lydeana attended an early PFF meeting and offered her expertise, walking members through the grant process.  Later that year, she was hired for the newly created Floyd position of Director of Economic Community Development, which she holds to this day.

In an October 2004 Roanoke Times story about Martin’s Floyd position, she commended the volunteer planning work that makes grants possible.  “It’s amazing to me, the private citizens that are volunteering their time.  To me, they are the heroes that let the grant writer tell that story.”

The twenty-percent local matching funds for the TEA-21 grant didn’t deter the PFF from its goal.  House meetings and antique auction fundraisers were held.  Wall and Bauers also donated a portion of the Hotel Floyd property to help meet the local matching funds for the grant.

Securing the Main Street Affiliate designation and the TEA grant was followed by efforts to secure downtown Floyd as a designated historic district.  Historic preservation officials from Roanoke and Richmond presented an informative historic buildings rehabilitation tax credit workshop.  After this, a committee was created to catalogue every historic structure in town, of which there were over two hundred!  Taking part in this effort were D.C. architects Cy Markeses and Belynda Reeder, who were working on the green design for the Hotel Floyd.  There were also Virginia Tech architect students, as well as The Old Church Gallery local historian, Kathleen Ingoldsby.

“The important thing is that the history of the people who helped build the town and the buildings they created are fully described in the document, and that record has gone on to create the Historical Society’s popular Walking Tour and is available for other historical documents and grants,” Ingoldsby said.

The national and state historic designation made it possible for the town to qualify for, and be approved for, a Virginia Community Development Block Grant (CDBG).  The Partnership worked closely with the Town Council and Clerk to explore options for how to use the CDBG grant funds.  To encourage input from the community, the Woman’s Club hosted an information panel of eleven local businesses and agencies that was moderated by Martin.  Martin also reviewed citizen survey results at a Chamber of Commerce meeting.  Mass mailings, a public hearing, and fundraisers were held and a Block Grant management team was formed.

The CDBG grant funds provided business façade improvements, gateway signs, downtown sitting areas, and the parking lot along Locust Street, which has become a key component to the downtown revitalization, benefitting businesses and residents.  Also drawing visitors to what Floyd has to offer are the beautiful landscapes, farms, artisans, musicians, mountain traditions, and Floyd’s do-it-yourself entrepreneurial spirit.

The town comes out to hear Wayne Henderson and Helen White play a Small Town Summer event.

In a 2019 guest column for Blue Ridge Country Magazine, Floyd’s current Mayor, Will Griffin, wrote an article about how the changes in Floyd have benefited the community.  He wrote about Floyd’s accessibility to The Blue Ridge Parkway, the resurgence of old time and bluegrass music, the Floyd Country Store as a noted venue on Virginia’s Crooked Road Heritage Music Trail, and the growing success of Floydfest, which has solidified Floyd’s position as a music destination.

“We have created a vibrant tourist economy without giving up who we are,” wrote Griffin, who attended the first PFF meeting before he was the town mayor.

Every town needs a park, and to date, the Warren G. Lineberry Park has been the Partnership’s biggest undertaking.  After the town of Floyd purchased the 2.7 acres of park land from the Lineberry family in 2006, the PFF reintroduced antique auctions and appraisals, and they hosted an ice cream social to raise money to build the amphitheater stage that graces the property today.  The town provided additional funds and the children’s playground, as well as the seating areas.  The PFF gathered community input, organized projects, and brought volunteers and professionals together to get the job done.

During the whole project, the community stepped up.  Phoenix Hardwoods donated handcrafted wooden benches.  Swede McBroom donated a hand-crafted picnic table.  Floyd County High School students worked with local musicians, Mack and Jenny Traynham, on the gazebo music shelter that was designed, coordinated, and donated by the Traynhams.  The entrance sign for the park and the specially designed lights were built and donated by Woody and Jackie Crenshaw and the folks at Crenshaw Lighting.

To date, Lineberry Park has been the site of picnics, live music events, a Floyd CARE Juneteenth Celebration, The Floyd Small Town Summer concert/movie series, a Christmas Tree Lighting event, and more.

Martin recently recalled the work that the PFF has done over the years for “the good of many,” including when the group funded an educational and publicly-viewed water video that one of her interns created to raise awareness about the complexity and vulnerability of Floyd ground water.

Griffin, who noted that tourism dollars reduce the tax burden on local tax payers, credited the Block Grant as “the most important thing to happen to Floyd since I’ve been involved in town government, which has been over thirteen years.”

On a recent Saturday, while sitting on the Dogtown Roadhouse deck which overlooks the Lineberry Park, Bauers enjoyed lunch as she watched families enjoying the park.  “People came together and did this,” she said. “It really has been a partnership.”

The Partnership, awarded Floyd’s Nonprofit of the Year by the Chamber of Commerce in 2021, meets the fourth Monday of each month and is continuing their work developing educational walking trails and planning for a Spring Health Fair.  Flower Power, a new offshoot of the PFF, has been busy beautifying the town with flower plantings and painted murals.  All are welcome.

The Partnership for Floyd
www.PartnershipForFloyd.Wordpress.com

Blue Ridge Institute & Museum Celebrates 50 Years

In 2023, the Blue Ridge Institute & Museum (BRIM) is celebrating a half century milestone of authenticity.  In 1973, the Blue Ridge Institute & Museum was created by Ferrum College to document, interpret, and present the folk heritage of the Blue Ridge region.  Since that time, BRIM has grown steadily, working throughout Virginia and the Appalachian Region while maintaining an emphasis on the western portion of the Commonwealth.  Today, BRIM is the largest folklife museum in the state.

The Blue Ridge Institute & Museum has a longstanding national reputation for quality and authenticity.  From festivals and concerts to exhibitions and publications, BRIM offers educational and entertaining programming.  The Institute’s audience spans all ages and backgrounds, enhancing Ferrum College’s educational mission.  A heritage-tourism leader, BRIM is a major venue on The Crooked Road, Virginia’s Heritage Music Trail.  In 1986, in recognition of its accomplishments, the Institute was designated The State Center for Blue Ridge Folklore by Governor Gerald Baliles and the Virginia State Legislature.

The same year BRIM was established, the legendary Blue Ridge Folklife Festival also began.  A celebration of Blue Ridge traditions, the festival is still taking place today, rather than remaining a thing of the past.  This annual one-day event has been called, “thoroughly authentic” by The New York Times.   It consists of four stages featuring old-time, bluegrass, and country music.  It also has coon dog water races, mule jumping, draft horse pulling, handmade crafts, moonshine tastings, and delicious traditional foods like fried apple pies.  There is a children’s game area and an enormous car show, as well as tractor and small engine demonstrations.  The Blue Ridge Folklife Festival is a celebration like no other.

The enduring popularity of the Blue Ridge Folklife Festival has led the Blue Ridge Institute & Museum to create other events, such as the annual Moonshine Heritage Bash and Car Show, the Crooked Road BBQ Competition, and the Blue Ridge Herb Lore Gathering.

Since its inception, BRIM has grown to include three main divisions.  First is the Blue Ridge Institute, which houses the main collection of historical artifacts, including but not limited to the most extensive collection of moonshine stills and still parts on the East Coast.  Second is the Blue Ridge Heritage Archives and third is the Blue Ridge Farm Museum.  These three departments work together to present a thorough and thoughtful representation of the Blue Ridge region.

The exhibition galleries are the only such facilities in Virginia dedicated to the presentation of regional, traditional culture and they are dedicated to displaying BRIM’s vast collection of artifacts.  BRIM is one of the few small museums left that creates its own exhibits, combining contemporary and historical folk arts and traditions.  Selected exhibits even travel throughout The Commonwealth.  The most recent exhibit produced by the Blue Ridge Institute & Museum is Souvenirs of Virginia: Travelers’ Trinkets.  This is the first exhibit in the state focusing on the history of souvenirs.  Filled with over 1,500 artifacts, Travelers’ Trinkets has a little something for everyone.

Threshing demonstration at the 2011 Blue Ridge Folklife Festival at Ferrum College.

The Blue Ridge Farm Museum features one of Virginia’s finest collections of Blue Ridge agricultural tools and decorative arts, as well as textile and craft items.  Set in the year 1800, the farmhouse and outbuildings set the stage for how people actually lived over two hundred years in the past.  Featuring gardens of heirloom vegetables and an array of minor heritage livestock breeds, the Farm Museum wraps the visitor in the cloak of the 1800 regional lifestyle.

Throughout the year, historical interpreters at the Blue Ridge Farm Museum host over forty school visits, as well as multiple homeschooling events.  During the summer season, the BRFM is open to the public on the weekends.  Visitors will find interpreters baking bread, tending to the farmstead, and performing historical crafts such as blacksmithing and carpentry.

The Blue Ridge Heritage Archive preserves documents, images, and recordings significant to the folk culture of Virginia.  The Archives house approximately two-thousand field tapes, three-thousand commercial recordings in CD, LP, 45, and 78 formats, seven-hundred cassettes, eight-thousand photographs, twelve-thousand slides, thirty-thousand negatives, eight-hundred reference publications, and hundreds of original manuscripts.  Archival ‘gems’ include the Galax Old-Time Fiddlers Convention tapes, the vast Elmer Smith Collection of Shenandoah Valley folklore, the Lornell Collection of Virginia African American folk music, and the recently acquired Dorothy Cundiff collection.

Currently numbering nine publications, the Blue Ridge Institute & Museum recordings present musical heritage from both historical and contemporary perspectives.  Each of the albums was constructed around a central theme including Virginia Work Songs, Native Virginia Ballads, Tidewater Blues, Non-Blues Secular Black Music, and Early Roanoke Country Radio.  The Grammy nominated series, now part of the Smithsonian Folkways recordings, showcases nearly a century of traditional singing and picking by authentic artists of the Commonwealth.  Work is underway on a compilation of African American quartets of the Tidewater region.

The Institute fills an important gap in cultural documentation and programming in western Virginia as a regional asset, expanding public awareness of folklife.  Currently, the Institute has partnered with Franklin County and the Warren Historical Society to create the Franklin County African American Heritage Trail which will document the significance and contributions of African Americans in the county.  Folkways, of course, are ever changing, and the Blue Ridge Institute & Museum works to highlight both the historic and the contemporary.

The Blue Ridge Institute & Museum
www.BlueRidgeInstitute.org • 540-365-4412
20 Museum Drive, Ferrum, VA

A Family Farm Legacy – Growing with Each Generation

From Left to Right: Back Row: Wesley, Julie, Wendy, and Jason. Front Row: William, Hudson, and Hadley

The Turner family has called Floyd their home for many decades, and though Turner Family Farms only became an LLC in 2020, the family has been farming in the area for much, much longer.
In the mid 1950’s, Sam and Gertrude Turner purchased a stretch of farmland on Franklin Pike where they started a dairy farm. They also grew a variety of produce. Both Sam and Gertrude were originally from Floyd and wanted to carry on their families’ farming heritage. It wasn’t long till their sons, Marvin and CW, joined them in the barns and the fields, continuing the legacy and making it a true family effort.
Sam and Gertrude continued working on the farm and milking the cattle until the late 1980’s. That’s when Marvin and CW took over. Continue reading

A New Chapter for the Floyd Country Store, Plus an Exciting TV Venture

The Floyd Country Store

This September, the Floyd Country Store will begin an exciting new chapter. For the first time in almost two decades, it will have a complete logo and marketing refresh. The move is motivated by owners Dylan Locke and Heather Krantz’s mission to use storytelling for sharing the magic of Floyd and the Country Store, as well as traditional Appalachian music and dance. To further this goal, Locke and Krantz are launching Floyd Country Store TV: a streaming platform that will make the Country Store and its events accessible around the world.
Since purchasing the Country Store from Jackie and Woody Crenshaw eight years ago, Krantz says, “We’ve been real careful to keep as much as we can the same for our customers and community over the last eight years.” The Floyd Country Store has been a beloved music venue and community center for generations, and Krantz and Locke have taken care to preserve its warm atmosphere and musical traditions. Continue reading

Phoenix Hardwoods Finds a New Home at Farmer’s Supply

The historic Farmer’s Supply building, located at 101 East Main Street, is one of the oldest buildings in Floyd. Throughout its lifetime, it has been mainly used for dry goods and hardware and has been the home of Farmer’s Supply since the 1940’s. For roughly the last hundred years, the building has been owned by the Lawson family, and is currently owned by Jack Lawson.
Farmer’s Supply was founded by Jack’s grandfather, Harry Leland Lawson, and for over seventy years, it was a valuable resource for Floyd’s predominant farming community. In more recent years, however, large chain stores, as well as an uncertain economy and supply issues, have made operating the supply store less and less viable. In 2021, long-time manager, Janice Patton, was also ready to retire. Janice started working at Farmer’s Supply in the 1970’s when her father was manager. She was such a fixture that many who didn’t know better assumed she was the owner.
Considering the uncertain economic viability of continuing to operate Farmer’s Supply, as well as facing the task of finding a replacement for the irreplaceable Janice, Farmer’s Supply closed its doors in December of 2021. Continue reading

Jessie Peterman Memorial Library – Proving Community Libraries are Still Relevant in the 21st Century

 

By A. Lee Chichester

Andrew Carnegie once said, “A library outranks any other one thing a community can do to benefit its people. It is a never-failing spring in the desert.”
And so it can be said by many who have found themselves travelling all over America. No matter how far they roam, and no matter how remote the area they visit, noting the location of the nearest library can often mean the difference between being disconnected, or being able to reach out to loved ones. Using a library’s free wi-fi, or even their computers, allows many travelers to rest in comfort while reassuring their loved ones that all is well.
Within communities, these same services are crucial to impoverished families and individuals who may need to connect digitally with utilities, special services, and medical facilities. Whether travelling or exploring closer to home, a public, community library is so much more than books.
Now called the Jessie Peterman Memorial Library (JPML), Floyd’s local public library would not exist if not for the members of the 1969 Floyd Woman’s Club who first explored the pros and cons of creating a library to serve the county. Mrs. Homer Robinette chaired the committee, appointed by Woman’s Club President, Mrs. Warren Lineberry. Continue reading

Little River Gallery – One of Floyd’s Newest Art Treasures

Mary Hadden and Judy MacPhail

Just half a block from the traffic light in Floyd, across from the Visitors’ Center, can be found one of Downtown Floyd’s newest art galleries! The Little River Gallery, which features a variety of items handmade by local artists, was recently opened by owners Mary Hadden and Judy MacPhail.
Before even crossing the threshold, the pleasant exterior communicates the inviting nature of Little River Gallery. The unassuming little white building features a lovely garden of blooming flowers in the front, watching over a bowl of water lovingly provided for Floyd’s thirsty fur-babies. There’s even a bench where folks cat ‘sit a spell’.
With such a modest façade, many may be surprised to find an array whimsical, locally crafted pottery, baskets, batik quilting fabric, gifts, cards, and so much more inside!
Opening an art gallery had been Mary’s dream for many years. Mary grew up in southern Ohio, in the foothills of the Appalachian Mountains. Later in life, however, she found herself at home in Texas. When her son began an internship near Asheville, North Carolina, Mary came to visit and fell in love with the climate, the atmosphere, and the lush terrain that reminded her of her childhood.
During the visit, she drove along the Parkway and found herself near Floyd. FloydFest was just getting started, so she stayed on for the festival. After getting to know the area and the people, Mary returned to Texas, longing to get back to the green beauty and coolness of the mountains. A vision began to form of a life she wished to live.
That vision brought her permanently to Floyd in 2003. Mary came with her two children, Lurena and John, and bought a farmhouse outside of town. There, her garden abounds with flowers and vegetables, and in the farmhouse’s primitive kitchen, she prepares the food she has produced.
Adding a greenhouse to her homestead has allowed Mary to extend the growing season for her crops, affording her the opportunity to be even more independent, a major lifestyle choice that Mary embraces.
Also on the homestead is a studio that houses Mary’s clay and kiln. The workspace has many windows so that it almost feels like the outside is coming in. In her studio, Mary produces her famous fairies, as well as the many other wonderful pieces that can be found at Little River Gallery.
Always whimsical, her art uses soft pastel glazes, blues, greens, and pinks. If a piece of pottery has a small bird on it, it was most likely made by Mary Hadden!
Mary’s technique for clay work is to roll out the clay into thin slabs, then cut and build the pieces she creates. The legs move on her fairies. The bells tinkle on the wind chimes, and birds sit on tree branches that hang on the wall. Mary’s three-dimensional clocks and wall hangers for plants, as well as lovely vases, all adorn the walls of Little River Gallery.
Through a mutual friend, Mary Hadden met Judy MacPhail. The two women became fast friends, so when Mary mentioned she needed a partner for her new gallery business, Judy was happy to join her.
Judy spent her career in the newspaper business, working as a circulation director for McClatchy Newspapers in Raleigh, North Carolina. Like Mary, Judy also dreamed of retiring in the mountains, but she imagined her retirement years would be spent in Asheville. After just one afternoon visit to Floyd, however, she knew the farms, the hills, and town of Floyd was exactly where she wanted to be.
In 2009, she made an offer on a wonderful home on three acres of land near the Blue Ridge Parkway. For the next five years, Judy came to visit in Floyd, but still lived in her Raleigh home near her family and her four grandchildren. In 2014, however, Judy’s husband, Bob, retired from the Environmental Protection Agency. That’s when the MacPhails moved to Floyd full time.
In the 1990’s, Judy had the opportunity to apprentice with a North Carolina Heritage Award winning basket maker named Thurman Strickland. He taught the old ways of finding the perfect oak or ash tree in the woods, as well as the process involved with turning it into a strong, functional basket. For many years, MacPhail made and sold her baskets in local shops and galleries, and now displays her collections proudly at Little River.
In 2007, she was scheduled to take a basket weaving class at the John C. Campbell Folk School but got a call that the class had been canceled. While refunding the class tuition, the registrar asked Judy if there was any other class being offered week that would be of interest. Though Judy was very disappointed that she would not be in a basketry class, she reluctantly agreed to sign up for the Cotton Spinning and Dying Class. What started as a disappointment quickly became a new passion!
For the past fifteen years, Judy has created gorgeous skeins of wool, alpaca, silk, and just about any fiber she can spin into yarn. With plenty of local farmers raising sheep and alpaca, her supply of raw fiber is plentiful. For her roving and more refined fibers, she shops with Paradise Fibers in Spokane, Washington, where she was born many years ago. Her beautiful spun creations are also available at Little River Gallery.
Little River Gallery includes the works of other local artists as well. There are succulent planters created by hypertufa artist Linda Hearn, as well as beeswax luminaries by Anita Brandon. Stained glass pieces by Joanna Huff are perfect for decorating any garden while the colorful, joyous barn quilt paintings by Kathleen Dawe can be displayed indoors or out.
The Gallery also features lovely prints and cards made by Mary’s daughter Rena Violet. The wonderful ‘Birds on a Wire’ pieces are by Robin Sydow, who also sews attractive bags and baskets. There is so much to explore and discover, all while enjoying the sweet aromas of the handmade soaps from Sun and Spruce Soap out of Roanoke.
Little River Gallery is also a working studio. While shopping, visitors are likely to find Mary rolling out her clay or Judy spinning her yarn. Both women are happy to talk about the art and answer questions for the curious.

Little River Gallery • Mary Hadden and Judy MacPhail
111 West Main Street, Floyd, VA • 540-230-4884
Thursday and Friday, 11am – 4pm
Saturday, 10am – 5pm; and Sunday 12pm – 4pm
www.instagram.com/littleriverstudiogallery

Handmade Music School’s Music of Our Mountains: An Interactive History of Appalachia and its “Mountain Music”

Old picture of the Floyd Country Store

Since 2016, the Handmade Music School has been an essential force in preserving and spreading excitement around traditional Appalachian music. Best known for its private and group classes in old time and bluegrass, as well as traditional Appalachian music and dance, the 501(c)3 non-profit has a core mission of spreading the joy of traditional music to as many people as possible, regardless of income and ability. Following this goal in 2018, the school started its Share the Music scholarship program for music lessons, classes, workshops, and camps. This year, the Handmade Music School is excited to announce its latest project, an online interactive history of Appalachian music called “Music of Our Mountains.”
Music of Our Mountains is a free educational resource that explores the rich, disparate roots of traditional Appalachian ‘mountain music’ as well as the characters, cultures, and conditions from which it emerged. The project website, musicofourmountains.com, is a living document made up of recordings, photographs, stories, scholarly texts, and maps. (left: Alfred Reid and fellow musicians) These resources work together to provide an exciting and vivid understanding of the music that the Handmade Music School strives to preserve. Continue reading

Oxford Academy Library to be Named for Predominant Graduate

Olivia Helms Simmons Keesee

Beginning in 1875, the Oxford Academy was established as a coeducational school by Rev. John Kellogg Harris and his wife, Chloe Bigeloe Harris. Located at 428 East Oxford Street in Floyd, across the street from Floyd Baptist Church, the current Oxford Academy building was erected in 1901 by the Reverend John Kellogg Harris after an 1898 fire destroyed the previous log school. While the school taught elementary age students, it was more widely known as a college preparatory school, recognized by the University of New York State as being equal to or above the New York high schools.
As a true co-educational facility in an era of increasing but still limited educational opportunities for women, the Academy offered an advanced line-up of courses for all students, both female and male. This attracted students from Floyd and surrounding counties. The courses taught in the school included Greek, Latin, higher mathematics, and music. Continue reading

Troika Home Finally Spreading its Wings

Annie Armistead and Abby Reczek

Troika Contemporary Crafts Gallery, located in The Station at 203 South Locust Street in Floyd, has been evolving and growing ever since Abby Reczek and Annie Armistead became the new owners in 2019. Inheriting a crafts gallery that was already a discerning and unique collection of fine crafted pottery, glass items, wood items, jewelry, textiles, and mixed media art, the new owners first enhanced Troika by adding their own, distinctive creations.
Annie is a jeweler who crafts unique, wearable art inspired by nature. Abby is a potter who makes functional pottery inspired by Floyd’s rolling green hills, blue skies, and the subtler colors of the natural world. In addition to their own creations, Annie and Abby also created a monthly event and reception that celebrated a featured, contributing artist.
In 2020, the ladies also signed a lease on another space, just down the hall. They wanted to expand to add gift and home items that were not specifically crafts, but the existing space was already filled. The new space would be called Troika Home, and it would be a companion space to Troika Contemporary Crafts. Unfortunately, they signed the lease just before the lockdown’s happened. (Troika Home located at the back of the Station) Continue reading